Blog

Michael Burr’s Favourite Model

Michael Burr’s Favourite Model

Michael Burr was one of the most pro­lif­ic pho­tog­ra­phers of staged genre stere­oviews in the Vic­to­ri­an era. Like most pho­tog­ra­phers Burr had his favourite mod­els who make reg­u­lar appear­ances in his tableaux. One of them, and per­haps the most rel­e­vant to read­ers of this arti­cle, appeared as the wife of a stere­o­graph enthu­si­ast who, while her hus­band is occu­pied in scru­ti­n­is­ing the lat­est offer­ings from the trav­el­ling stereo sales­man, takes the oppor­tu­ni­ty to flirt with the top-hat­ted pur­vey­or of 3D delights.

Beneath the waves

Beneath the waves

Once becom­ing a div­er in 2004, it was only a mat­ter of time before I took my love of stereo pho­tog­ra­phy beneath the waves. When div­ing, you are nev­er sure exact­ly what you will find, but inevitably some­thing won­der­ful appears before you. Don’t miss these stun­ning under­wa­ter 3D photos!

“Tissues” or “The Happiness of the Collector in Collecting”

“Tissues” or “The Happiness of the Collector in Collecting”

What to do in 2020, these dif­fi­cult times for pas­sion­ate col­lec­tors? Read about Thomas Asch’s newest acqui­si­tion, get some his­tor­i­cal back­ground infor­ma­tion and look at the dif­fer­ent kinds of stereo­scop­ic Tissues.

Symbiosis of art — a sculptor’s stereo photos

Symbiosis of art — a sculptor’s stereo photos

Unlike paint­ing, in sculp­ture, the per­cep­tion of spa­tial depth may be the most impor­tant thing to con­sid­er. The rela­tion­ship of each of the ele­ments dis­trib­uted in the space is the real chal­lenge to take into account in cre­at­ing sculp­ture. In the vast major­i­ty of cas­es, col­or is dis­pensed with to focus atten­tion on three-dimen­sion­al shapes. In a tra­di­tion­al two-dimen­sion­al pho­to­graph of a sculp­ture that per­cep­tion of depth is lost, and there­fore two-dimen­sion­al pho­tog­ra­phy is a very inef­fec­tive means to rep­re­sent the spa­tial aware­ness of a sculpture.

Getting the Right Depth in 3D Photography

Getting the Right Depth in 3D Photography

A 3D pho­to­graph usu­al­ly con­sists of two images of the same sub­ject tak­en from dif­fer­ent view­points. One of the most com­mon ques­tions amongst both expe­ri­enced and new stereo pho­tog­ra­phers is how to deter­mine the right dis­tance between the left and right cam­era posi­tions that should be used when tak­ing the pho­tos. Learn how to achieve the right depth in your pho­tos for a sat­is­fy­ing view­ing experience.

Using Artificial Intelligence in the Stereoscopic World

Using Artificial Intelligence in the Stereoscopic World

The father of the stere­oscopy, Charles Wheat­stone, used geo­met­ric pic­tures to demon­strate his the­sis about the “phys­i­ol­o­gy of binoc­u­lar vision”. Arti­fi­cial Intel­li­gence could be a new way to cre­ate stereo­scop­ic worlds.

Freezing the movement of light

Freezing the movement of light

Look at the incred­i­ble vari­ety of stair­ways and their dynam­ic expres­sion increased through stereoscopy.

4 YEARS — Restless New York City

4 YEARS — Restless New York City

ANAGLYPH GLASSES NEEDED! As the world around us got increas­ing­ly changed polit­i­cal­ly, New York City streets have pro­vid­ed a unique stage for both the social unrest and the epidemic.

Simultaneous nature photography

Simultaneous nature photography

One of the advan­tages of liv­ing in Scot­land is that you are very nev­er far from a beau­ti­ful land­scape. Some of these stere­os were tak­en a short walk from my home and the oth­ers just a short journey.

Flower close ups

Flower close ups

In tak­ing flow­ers stere­os, I try to accen­tu­ate the poet­ic nat­ur­al beau­ty of each subject.

Mid-Century 35 mm Filmstrip Stereo Viewers

Mid-Century 35 mm Filmstrip Stereo Viewers

3D film­strip view­ers are a fam­i­ly of stereo view­ers that gained promi­nence in the ear­ly 20th cen­tu­ry. In fact, it was a small film­strip view­er called Tru-Vue that re-intro­duced 3D view­ing as a mid-cen­tu­ry pas­time, made it more afford­able than ear­li­er stere­o­scope sets, and paved the way in the hearts and minds of con­sumers for the pop­u­lar 3D reel & card view­ers that would come lat­er. For this rea­son, Tru-Vue has often been called “the miss­ing link” in stere­oscopy. Explore some of the most inter­est­ing film­strip stereo view­ers here.

Restoring Stereoscopic Antiques

Restoring Stereoscopic Antiques

When con­sid­er­ing restora­tion, I always ask myself one very sim­ple ques­tion: What would this stere­o­scope look like today if it had nev­er dis­ap­peared from its own­er’s liv­ing room, but had been cher­ished and cared for con­tin­u­ous­ly for over 100 years?