Blog

A breeze from Brazil

A breeze from Brazil

The vil­lage stere­os por­trays the charm­ing his­tor­i­cal cen­ter of the city of Tiradentes, in Minas Gerais, Brazil, one of my favorite places.

Michael Burr’s Favourite Model

Michael Burr’s Favourite Model

Michael Burr was one of the most pro­lif­ic pho­tog­ra­phers of staged genre stere­oviews in the Vic­to­ri­an era. Like most pho­tog­ra­phers Burr had his favourite mod­els who make reg­u­lar appear­ances in his tableaux. One of them, and per­haps the most rel­e­vant to read­ers of this arti­cle, appeared as the wife of a stere­o­graph enthu­si­ast who, while her hus­band is occu­pied in scru­ti­n­is­ing the lat­est offer­ings from the trav­el­ling stereo sales­man, takes the oppor­tu­ni­ty to flirt with the top-hat­ted pur­vey­or of 3D delights.

Beneath the waves

Beneath the waves

Once becom­ing a div­er in 2004, it was only a mat­ter of time before I took my love of stereo pho­tog­ra­phy beneath the waves. When div­ing, you are nev­er sure exact­ly what you will find, but inevitably some­thing won­der­ful appears before you. Don’t miss these stun­ning under­wa­ter 3D photos!

“Tissues” or “The Happiness of the Collector in Collecting”

“Tissues” or “The Happiness of the Collector in Collecting”

What to do in 2020, these dif­fi­cult times for pas­sion­ate col­lec­tors? Read about Thomas Asch’s newest acqui­si­tion, get some his­tor­i­cal back­ground infor­ma­tion and look at the dif­fer­ent kinds of stereo­scop­ic Tissues.

Symbiosis of art — a sculptor’s stereo photos

Symbiosis of art — a sculptor’s stereo photos

Unlike paint­ing, in sculp­ture, the per­cep­tion of spa­tial depth may be the most impor­tant thing to con­sid­er. The rela­tion­ship of each of the ele­ments dis­trib­uted in the space is the real chal­lenge to take into account in cre­at­ing sculp­ture. In the vast major­i­ty of cas­es, col­or is dis­pensed with to focus atten­tion on three-dimen­sion­al shapes. In a tra­di­tion­al two-dimen­sion­al pho­to­graph of a sculp­ture that per­cep­tion of depth is lost, and there­fore two-dimen­sion­al pho­tog­ra­phy is a very inef­fec­tive means to rep­re­sent the spa­tial aware­ness of a sculpture.

Getting the Right Depth in 3D Photography

Getting the Right Depth in 3D Photography

A 3D pho­to­graph usu­al­ly con­sists of two images of the same sub­ject tak­en from dif­fer­ent view­points. One of the most com­mon ques­tions amongst both expe­ri­enced and new stereo pho­tog­ra­phers is how to deter­mine the right dis­tance between the left and right cam­era posi­tions that should be used when tak­ing the pho­tos. Learn how to achieve the right depth in your pho­tos for a sat­is­fy­ing view­ing experience.

Using Artificial Intelligence in the Stereoscopic World

Using Artificial Intelligence in the Stereoscopic World

The father of the stere­oscopy, Charles Wheat­stone, used geo­met­ric pic­tures to demon­strate his the­sis about the “phys­i­ol­o­gy of binoc­u­lar vision”. Arti­fi­cial Intel­li­gence could be a new way to cre­ate stereo­scop­ic worlds.

Freezing the movement of light

Freezing the movement of light

Look at the incred­i­ble vari­ety of stair­ways and their dynam­ic expres­sion increased through stereoscopy.

4 YEARS — Restless New York City

4 YEARS — Restless New York City

ANAGLYPH GLASSES NEEDED! As the world around us got increas­ing­ly changed polit­i­cal­ly, New York City streets have pro­vid­ed a unique stage for both the social unrest and the epidemic.

Simultaneous nature photography

Simultaneous nature photography

One of the advan­tages of liv­ing in Scot­land is that you are very nev­er far from a beau­ti­ful land­scape. Some of these stere­os were tak­en a short walk from my home and the oth­ers just a short journey.

Flower close ups

Flower close ups

In tak­ing flow­ers stere­os, I try to accen­tu­ate the poet­ic nat­ur­al beau­ty of each subject.

Mid-Century 35 mm Filmstrip Stereo Viewers

Mid-Century 35 mm Filmstrip Stereo Viewers

3D film­strip view­ers are a fam­i­ly of stereo view­ers that gained promi­nence in the ear­ly 20th cen­tu­ry. In fact, it was a small film­strip view­er called Tru-Vue that re-intro­duced 3D view­ing as a mid-cen­tu­ry pas­time, made it more afford­able than ear­li­er stere­o­scope sets, and paved the way in the hearts and minds of con­sumers for the pop­u­lar 3D reel & card view­ers that would come lat­er. For this rea­son, Tru-Vue has often been called “the miss­ing link” in stere­oscopy. Explore some of the most inter­est­ing film­strip stereo view­ers here.