 Equipment |
 Technique |
 Editing |
In this section, we bring to you detailed methods and techniques related to sterephotography, from beginners and seasoned photographers alike. The aim is to share tips and notes on how to get started on specific methods. In other words, your personal DIY stereo guide.
Crowded places, animals, wind or water — movement in general is a No-Go if you’re taking stereo photos with your smartphone. These are only some reasons why I started working on a solution for syncing two smartphones. After almost a year, I have a fully functional setup with two iPhones.
In 2020 the MINUTA STEREO Pinhole Camera campaign got successfully funded on Kickstarter within one month. The developer tells what happened since.
StereoPhoto Maker, a software developed by the Japanese stereo photographer Masuji Suto, made things a lot easier for digital stereo photography. Believe it or not, he is not a professional software developer! Like most of us, Masuji is just passionate about stereoscopy and is happy to help the community with his software developing skills. Curious about him? We met him for an interview.
Ladies and Gentlemen, please fasten your seatbelts because we are going to embark on a trip to the Underworld! This is a series of “Modern Diableries” inspired by the original French Tissue stereo cards.
While most of the time the original Diableries were intended to be scary, my approach and interpretation on such Devilments is mostly cheerful and entertaining.
This tutorial is based on my personal workflow for creating side-by-side stereos and includes several apps for taking, aligning, combining, and post-processing stereophotos. From shot to post, all files stay entirely on the smartphone. Depending on the occasion I slightly modify my workflow by adding, replacing, or skipping particular steps. But on average the process really comes down to 3 minutes to get a finished side-by-side stereophoto.
I am recording and documenting in 3D wherever I go, such as Galleries and Museums, and especially, when a Monumental Installation by an Interdisciplinary artist, or artists takes place.
Here is a step-by-step guide to making flush mount stereo cards. Flush mount means cards in which the artwork extends all the way to the edge of the card itself, as shown in the photos.
I understand it’s 2021 and I’m talking about shooting on film. From an educational standpoint though, the limitations it imposes forces you to learn the basics of exposure, composition and how to be more intentional with your artistic choices. Spending an hour or two mounting slides is definitely an exercise in humility as you reflect on all the things you wish you did right. As you get familiar with it, there’s a rhythm that develops with the tactile experience and it’s pretty relaxing.
The viewing experience of stereo photos sometimes is just as if you could step right into the scene. But the flatness of distant landscapes is an undeniable drawback for the stereoscopic effect.
Read about the reasons and methods to enhance the depth in such stereo photos. Look at historic glass slides as well as at modern drone stereo photos.
Ready for a journey into deep space? Then why not create your own universe by drawing it? Space and galaxies have always fascinated me and when I started painting some years ago I created several galaxies in the classical way — in 2D on canvas. A little later, I got the idea of converting my paintings into 3D. Finally, I switched from canvas to digital artwork.
I present you a series of modern stereo cards, inspired by the Victorian way of depicting reality: Stereoscopic photography. I’ve been inspired and fascinated by the atmosphere of old stereoscopic cards, which were, in their time, the most realistic way to immortalize and then relive the memories driven by the sight of a particular scene. I show you how to create your own modern stereo card in 10 minutes!
Unlike painting, in sculpture, the perception of spatial depth may be the most important thing to consider. The relationship of each of the elements distributed in the space is the real challenge to take into account in creating sculpture. In the vast majority of cases, color is dispensed with to focus attention on three-dimensional shapes. In a traditional two-dimensional photograph of a sculpture that perception of depth is lost, and therefore two-dimensional photography is a very ineffective means to represent the spatial awareness of a sculpture.
