Gallery

On this site you find some mod­ern stereopho­tos of var­i­ous mem­bers of the com­mu­ni­ty. I’m real­ly hap­py to have got­ten per­mis­sion to show them here. If pos­si­ble I’ve added a link to their own web­site or social media and I high­ly rec­om­mend to pay them a vis­it. Among them are also some stere­os I’ve tak­en myself. Unless oth­er­wise stat­ed all images are pro­vid­ed for par­al­lel viewing.

If you want to know more about how to view these images, take a look at View­ing meth­ods. For any­one who feels more com­fort­able by using a view­er the LSC Lite OWL is a good choice for view­ing par­al­lel stere­os on screen.

Prob­a­bly you’ll need to adjust the image size for a bet­ter view­ing expe­ri­ence. The short­cuts crtl + [+] and crtl + [-] work for most browsers. Crtl + 0 brings every­thing back to it’s orig­i­nal size. If you have a Mac use cmd instead of ctrl in these shortcuts.

Latest galleries:

• Polaroid Stere­o­graph­ic WorldsJune 7, 2023

  I dis­cov­ered that I could cre­ate stere­o­graph­ic worlds using POLAROID SX-70 cam­eras in the 1984. Some were stan­dard 3D images (like the STREET LIFE Series), but by stag­ing unusu­al objects and mate­ri­als found in the aging indus­tri­al area of low­er Man­hat­tan, var­i­ous tableaus were cre­at­ed and slow­ly evolved in my stu­dio. With the Polaroid SX-70 cam­eras, I record­ed the var­i­ous devel­op­ments steroeop­ti­cal­ly, cre­at­ing over 50 tableau’s in a 3 year peri­od. Although 3D video is the cur­rent focus of my cre­ative work, these stand-alone 3D polaroid cre­ations from 3 decades ago set the tone for what was to come. Here are six sam­ples from that orig­i­nal body of 3D polaroid work.

  

  

  

  

  

  

  © 2023 D. Carl­ton Bright

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  D. Carlton Bright (New York City, USA)

  I’m a video artist who has been mak­ing inroads into the expres­sive pos­si­bil­i­ties of stere­o­graph­ic, or 3D art­work since the mov­ing to NYC in the ear­ly 1980s. Orig­i­nal­ly a sculp­tor, I found my two main fields of inter­est nat­u­ral­ly dove­tailed togeth­er in the cre­ation, or com­pos­ing of 3D video art­work. A major inno­va­tion has been uti­liz­ing musi­cal nomen­cla­ture in the com­pos­ing process of 3D videos. My work has been fea­tured in the Inter­na­tion­al 3‑D Con­ven­tion, and the Ven­tana Gallery and the Holog­ra­phy cen­ter in NYC.
  
  Insta­gram-pro­file: carl­ton­bright
  Web­site: carltonbright.com
• Phan­tograms from Macro­phant 3DMarch 8, 2023

  Upon attend­ing a Nation­al Stereo­scop­ic Asso­ci­a­tion in 2004 in Port­land Ore­gon, I sat in on a phan­togram work­shop offered by Steve Hugh­es, and was impressed by Ter­ry Wilson’s phan­tograms there.  With­in a few months I was cre­at­ing phan­tograms of house­hold objects and then of nat­ur­al subjects.

  These images are from my most recent book “Macro­phant 3D”, pub­lished at the end of 2020 in col­lab­o­ra­tion with Jim McManus. It is a col­lec­tion of 60 macro phan­tograms.  In the book they’re shown in anaglyph, par­al­lel view and cross-eyed view.

  

  

  

  

  

  

  © 2023 Bar­ry Rothstein

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  Barry Rothstein (Long Beach, California, USA)

  Before 2003 my pho­tog­ra­phy was most­ly black & white medi­um for­mat por­trait shots. I first stum­bled into stereo pho­tog­ra­phy upon see­ing a stere­o­scope at an antique store and was imme­di­ate­ly fas­ci­nat­ed, and start­ed cre­at­ing stereo images.
  In May 2005 I self-pub­lished his first book, “Phan­tograms from Nature, West­ern USA”.  My next was a chil­dren’s book “Pop-Up 3D” in 2007.  “Eye-Pop­ping 3‑D Pets” in 2009, and “Eye-Pop­ping 3‑D Bugs” in 2011 were pub­lished by Chron­i­cle Books and lat­er re-pub­lished in Ital­ian and Japan­ese.  In 2009 I self-pub­lished “Crossview 3‑D”, a col­lec­tion of cross-eyed view images by twen­ty-six stere­o­g­ra­phers.
  Since 2010 I have pro­duced an image blog each week that I email to those inter­est­ed in receiv­ing them.  The many years of his “image-of-the-week” blog can be accessed here. 
  Since cre­at­ing my first book I have pre­sent­ed phan­togram work­shops at numer­ous NSA and ISU con­ven­tions and exhib­it­ed at sev­er­al Mak­er Faire and var­i­ous sci­ence fair events, as well as hav­ing been show­cased at sev­er­al gallery events in south­ern Cal­i­for­nia.
  
  Web­site: 3ddigitalphoto.com
  Insta­gram-pro­file: 3ddigitalphoto
• Land­scapes of Scot­land and WalesFeb­ru­ary 11, 2023

  I have been try­ing to cap­ture the beau­ty of Scot­land (my home coun­try) and Wales (where I live now) in 3D.  These land­scapes proved a great way to learn how to make the most of the depth from sin­gle-lens cha-chas and with the lim­it­ed base­line of the Fuji Finepix 3D W3. Of course, much cred­it must also go to my dog Punky, who pro­vid­ed a great focal point for many of my W3 landscapes.

  

  

  

  

  

  

  © 2023 Dave Wynn

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  Dave Wynn (Cardiff, Wales, United Kingdom)

  I am a train­er and cli­mate advo­cate for a near­by com­pa­ny.  I am very new to stereo­scop­ic pho­tog­ra­phy.  How­ev­er, I have been an advo­cate of 3D all my life, ever since I saw comics drawn in that red/green anaglyph, and also a fright­en­ing expe­ri­ence as a child watch­ing Jaws 3 in 3D.  Rub­bish film –great 3D!  I also very much enjoy 3D gam­ing via my Ocu­lus VR head­set. It was Bri­an May and his book ‘Queen in 3‑D’ which set me on my stereo pho­to jour­ney in Octo­ber 2021.  I love that book, par­tic­u­lar­ly Brian’s expla­na­tions regard­ing how to take 3D pics with a sin­gle-lensed cam­era.
  
  Insta­gram-pro­file: shaolin_monkey
• Short Stop in BarcelonaOcto­ber 29, 2022

  I always want­ed to vis­it Barcelona. So, dur­ing my vis­it at Foti­cos Col­lec­tion I took the chance to spend half a day in Barcelona on my way from Ger­many to Zaragoza and back. Because I only had a few hours I had to choose instead of just walk­ing around. I basi­cal­ly vis­it­ed the famous Sagra­da Família cathe­dral and La Ram­bla. All of these pho­tos were tak­en with two synced iPhones 11 Pro.

  

  

  

  

  

  

  © 2022 Pas­cal Martiné

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  Pascal Martiné (Mainz, Germany)

  Pas­sion­ate about stere­oscopy as a col­lec­tor and pho­tog­ra­ph­er since 2016. Admin of the stere­osite. More on About me.
• A trip through Spain in 3DAugust 27, 2022

  These are some 3D pho­tos that I’ve made this sum­mer dur­ing my jour­ney through dif­fer­ent parts of Spain. Spain is a very diverse coun­try, full of spec­tac­u­lar cities, mon­u­ments and nat­ur­al wonders.

  

  

  

  

  

  

  © 2022 Sonia Vílchez Molina

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  Sonia Vílchez Molina (Seville, Spain)

  I’m born in 2004 and in my first year at uni­ver­si­ty study­ing Physics, and I would like to become an astro­physi­cist in the future. I love read­ing, lis­ten­ing to music, play­ing the gui­tar and the piano and, of course, tak­ing 3D pho­tos. I start­ed mak­ing stere­os in 2021, and now it has become one of my biggest hob­bies.
  
  Insta­gram-pro­file: soniavm2004
• Stone and Water — A 3D Jour­ney through BrugesMay 16, 2022

  The canals of Bruges have con­nect­ed the city to the sea for cen­turies. Inter­na­tion­al mer­chants guar­an­teed wealth and pros­per­i­ty. Bruges soon became one of the largest Hanse cities. Until today, the medieval build­ings and struc­tures of the 15th cen­tu­ry remained main­ly intact. UNESCO des­ig­nat­ed the entire city cen­tre as a World Her­itage site in 2000.

  These stereo pho­tos where tak­en with two synced iPhones 11 Pro mount­ed on a rig. Two com­bined vol­ume con­trols served as a remote shut­ter. This set up is my per­son­al approach to com­bine the advan­tages of a twin cam­era set­up with the light weight of a smart­phone and its abil­i­ty for edit­ing and post-pro­cess­ing the stereo pairs.

  

  

  

  

  

  

  © 2022 Pas­cal Martiné

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  Pascal Martiné (Mainz, Germany)

  Pas­sion­ate about stere­oscopy as a col­lec­tor and pho­tog­ra­ph­er since 2016. Admin of the stere­osite. More on About me.
• Shake it up with 3D Wig­glesApril 5, 2022

  FLASH WARNING — The con­tent below con­tains flash­ing images.

  3D wig­gle­grams, or wig­gles for short, are 2 or more stereo images stitched togeth­er to cre­ate a sense of depth in the form of a video or GIF. The wig­gles that I am show­ing are made from the 35mm shots on my RETO3D camera.

  I like that wig­gles are as if some­one pushed pause around a moment or scene and it glitched. I’m specif­i­cal­ly drawn to the retro vibe and dreamy atmos­phere of film wig­gles. As a 3D expe­ri­ence, wig­gles can be more inclu­sive. The view­er doesn’t need to free­view or use stereo­scop­ic glass­es, so it can offer a sense of depth to peo­ple with vision impair­ments. Addi­tion­al­ly, if you are post­ing on Insta­gram, they loop easily. 

  These days I am edit­ing my pho­tos in Light­room and then I import the images into Pro­cre­ate. I am able to play the wig­gle on a loop under the ani­ma­tion assist set­tings. Once my pho­tos are lined up on a spe­cif­ic focal point, I can export it as a wig­gle or add ani­ma­tion to it. Check out the VSC meet­ing video to see a lit­tle more in depth about this process. Late­ly I’ve been draw­ing ani­mat­ed crys­tals for a series of wig­gles. Some of them are fea­tured below.

  

  

  

  

  

  

  © 2022 Jas­simine Dixon

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  Jassimine Dixon (Portland, Oregon, USA)

  Jas­simine Dixon is a graph­ic design­er run­ning her own sta­tionery busi­ness in Port­land. She was intro­duced to 3D via stere­ograms. View­ing those zany pat­terns with hid­den images prepped her to free­view stereo­scop­ic pho­tos. Now she takes her own stereo pho­tos and also cre­ates her own stere­ogram greet­ing cards.
  
  Insta­gram-pro­file: eye.see.magic
  Web­site: eye-see-magic.com

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